Born Ayr.
Scottish soprano.
Patricia Hay studied in Glasgow at the Royal Scottish Academy of Music, where roles in student productions included Mistress Ford in The Merry Wives of Windsor (Nicolai). She joined Scottish Opera in 1967. With the company's Opera For All group, her repertoire in the 1967/68 tour included Cio-Cio-San and Donna Anna. The following year she added Violetta and Rosina. Her debut with the main company in the Spring 1968 season was as Cherubino, followed by Woglinde and Kate Pinkerton. She also appeared at the 1968 Edinburgh Festival. Further training in Italy included visits to Mantua to work with Ettore Campogalliani.
She spent most of her subsequent career with Scottish Opera. Her Mozart repertoire included The Marriage of Figaro (both Cherubino and Susanna), Don Giovanni (Zerlina, Donna Elvira), Così fan tutte (Despina) and The Magic Flute (First Lady, Pamina). She also gave many performances of two operetta roles, Valencienne in The Merry Widow and Adele in Die Fledermaus. Other appearances included the 1971 Ring cycle, The Trojans, Fidelio, The Barber of Seville, La bohème, Un ballo in maschera, Don Pasquale, Falstaff, The Two Widows and A Midsummer Night's Dream. She created the roles of Marie in The Undertaker (Purser 1969) and Danielle in Hedda Gabler (Harper 1985).
She maintained an extensive concert career, singing with the SNO and many choral societies around Scotland. Appearances abroad included Oscar with the Netherlands Opera and a visit to the Bergen Festival with the SNO. She later taught for many years in Glasgow at the RSAMD/RCS. Recordings include extracts from the Scottish Opera productions of Un ballo in maschera and The Merry Widow. She can be seen on DVD, in the Warner Video Gilbert and Sullivan series, as Lady Ella in the John Cox staging of Patience.
© Copyright Opera Scotland 2024
Site by SiteBuddha