Opera Scotland

Sette Canzoni 1969Teatro Comunale, Florence

Read more about the opera Sette Canzoni

The Festival opera programme

This three week visit to the 1969 Festival by the opera company from Florence brought a repertoire of largely unfamiliar work, with the popular Verdi and Puccini presented with good casts that justified their inclusion. Two full-length operas were brought, Donizetti's Maria Stuarda as well as Rigoletto. There were two double bills. Gianni Schicchi was paired with a rare Rossini piece, Il signor Bruschino. There were also two little known twentieth century operas, with composers still alive. These were by Malipiero (Sette Canzoni) and Dallapiccola (Il prigioniero).

Scottish Opera's contribution was on the Fringe - a late night double bill at the Gateway. This consisted of Robin Orr's Full Circle and the premiere of a comedy by John Purser, The Undertaker. The Music Theatre Ensemble provided  late night showings including Monteverdi (Il combattimento di Tancredi e Clorinda) and Stravinsky (Renard). The Usher Hall programme included Giulini conducting the Verdi Messa da Requiem.

 

Sette Canzoni

 This pairing of serious works was more evenly matched than the Rossini/Puccini combination, with the same production team for both.  Malipiero's piece, composed shortly after Schicchi, is an interesting work, very short (40 minutes) and very episodic, but rewarding nonetheless. In musical style it is pleasantly approachable, and comparison's were made with Vaughan Williams. It was an effective prelude to the better known Dallapiccola (Il prigioniero) that made up the second half.

Sette Canzoni offered two little cameo roles for the great Renato Capecchi, a regular visitor to Edinburgh, and a second Festival appearance for the ageless Magda Olivero. Conductor Nino Sanzogno was a valuable link to the composer, having been one of his students.

 

Teatro Comunale, Florence at the Edinburgh Festival - 1969

The Florence company brought four programmes - two full-length operas and two double bills of shorter works. The repertoire provided a useful survey of Italian opera from Rossini's time to the recent past, with two of the composers still living.

The six operas were by  Rossini (Il signor Bruschino);  Donizetti (Maria Stuarda);  Verdi (Rigoletto);   Puccini (Gianni Schicchi);   Malipiero (Sette Canzoni);  Dallapiccola (Il prigioniero).

The performance schedule was:

First week, comm 25 Aug:  Mon 25 Maria Stuarda;  Tue 26 Rigoletto;  Wed 27 np;  Thu 28 Maria Stuarda;  Fri 29 Sette Canzoni & Il prigioniero;  Sat 30 Rigoletto.

Second week, comm 1 Sep:  Mon 1 Maria Stuarda;  Tue 2 np;  Wed 3 Rigoletto;  Thu 4 Il signor Bruschino & Gianni Schicchi;  Fri 5 Sette Canzoni & Il prigioniero;  Sat 6 Il signor Bruschino & Gianni Schicchi.

Third week, comm 8 Sep:  Mon 8 Maria Stuarda;  Tue 9 Rigoletto;  Wed 10 Il signor Bruschino & Gianni Schicchi;  Thu 11 np;  Fri 12 Il signor Bruschino & Gianni Schicchi;  Sat 13 Rigoletto.