The Edinburgh Festival opera programme in 1991 was dominated by visits by the two great Soviet companies. The Bolshoi from Moscow had enjoyed a ground-breaking success in the 1990 visit to Glasgow's year of culture with unusual pieces by Tchaikovsky and Rimsky-Korsakov, followed by a stop at Edinburgh with a Prokofiev piece. They now returned to Edinburgh with more Tchaikovsky and Rimsky-Korsakov. Meantime, Valery Gergiev and his Kirov forces from Leningrad also put in an appearance bringing a survey of all Musorgsky's operatic output.
Christmas Eve remains a rarity in this country, which is a pity. ENO had staged its British première at the Coliseum, directed by David Pountney, only a couple of years before, and it was a great success in both stagings. This was a good period for Rimsky opera in this country, with the Kirov productions of Sadko and The Legend of the Invisible City of Kitezh still to come in 1995. Yet scarcely a note has been heard in the years since. Why?
This piece had a wonderful start with a massive starscape backdrop with appropriate sounds twinkling in the pit. The plot contains lots of broad humour - led by Oleg Biktimirov (unrecognisable from his Triquet the previous week) as the Devil, garbed in red following the pattern set by Méphistophélès in Gounod's Faust. Nina Rautio and Lev Kuznetsov both made an excellent impact as Oksana and Vakula.
Galina Borisova (Aug 24)
Marina Shutova (Aug 25)
Peter Gluboky (Aug 24)
Maxim Mikhailov (Aug 25)
Arthur Eizen (Aug 24)
Boris Morozov (Aug 25)
Paolo Kudriavchenko (Aug 24)
Lev Kuznetsov (Aug 25)
Katerina Kudriavchenko (Aug 24)
Nina Rautio (Aug 25)
Vladimir Kudriashov (Aug 24)
Nikolai Maiboroda (Aug 25)
Ludmila Nam (Aug 24)
Raisa Kotova (Aug 25)
Nina Larionova (Aug 24)
Nina Smolianinova (Aug 25)
Anatoly Babykin (Aug 24)
Nikolai Nizienko (Aug 25)
Tatiana Erastova (Aug 24)
Galina Borisova (Aug 25)
© Copyright Opera Scotland 2024
Site by SiteBuddha