The Covent Garden Opera's 1950 Edinburgh visit lasted two weeks, commencing Monday, 17 April 1950. Audiences keen to experience Peter Grimes for themselves were obliged to remain patient until the Friday of the second week.
There were complaints because what was already acknowledged as one of the great twentieth century operas had taken as long as five years to reach Scotland. The phenomenon had already been seen all over the world. While there was relief that it had arrived at last. there was further cause for disappointment as the creators of Peter and Ellen, Peter Pears and Joan Cross, did not journey north. But at least Reginald Goodall was the man who had conducted that famous first night at Sadler's Wells - this was many years before his wonderful reputation as a Wagnerian developed.
Edith Coates had created the role of Auntie - admittedly she was here coming on as a replacement for the published artist, Jean Watson. Dennis Stephenson was also a late substitute for Rhydderch Davies. Tyrone Guthrie was already a well-established director at the Old Vic and Edinburgh Festival. His staging of Grimes had been launched at Covent Garden in 1946, just a few months after that premiere.
The Scotsman critic (29 April 1950) thought it astonishing that Grimes was Britten's first opera. "The first act took a little to warm up, but the second and third grew in horrifying tension. This was largely due to Richard Lewis, who gave one of his best performances."
"Elizabeth Abercrombie was a moving Ellen while all the subsidiary parts were played with fine gusto, particularly the outrageous 'Auntie' (Edith Coates) who came straight out of a Rowlandson print".
As for Goodall, "..he raised the orchestra to exciting standards."
Cast details are from a copy of the programme in the OperaScotland collection.
© Copyright Opera Scotland 2024
Site by SiteBuddha