It is interesting to see that several of the major roles were double cast - a useful precaution in the event of winter cold, as seems to have happened here.
The clear novelty in these performances of Figaro is an early appearance by Joan Sutherland as the Countess. This is a role she would not pursue when she became an international superstar, following her appearance in Lucia di Lammermoor in 1959.
However we can note from the attached programme in the OperaScotland collection that, for the Glasgow performance on 12 March, Sutherland was indisposed and replaced by the dramatic soprano Sylvia Fisher, a more established Australian artiste.
The role of Figaro would remain central to the career of Sir Geraint Evans over the next twenty years and more.
Adèle Leigh became a recognised star performer on the continent, singing the soubrette repertoire in operetta, especially in Vienna. It is interesting to see her here singing both Cherubino, a part she had played for years, and Susanna, a greater challenge, on different evenings.
Covent Garden Opera in Scotland - 1953
Edinburgh Empire, W/c Monday, 23 February: Mon 23 Aïda; Tue 24 Marriage of Figaro; Wed 25 Tristan and Isolde; Thu 26 Bohème; Fri 27 Masked Ball; Sat 28 m Bohème; Sat 28 e Trovatore.
Edinburgh cast as advertised; Glasgow from a programme in the OperaScotland collection.
Geraint Evans (Feb 24; Mar 12)
Leonne Mills (Feb 24)
Adèle Leigh (Mar 12)
Howell Glynne (Feb 24; Mar 12)
Edith Coates (Feb 24)
Barbara Howitt (Mar 12)
Adèle Leigh (Feb 24)
Eugenia Zareska (Mar 12)
Jess Walters (Feb 24; Mar 12)
William McAlpine (Feb 24; Mar 12)
Joan Sutherland (Feb 24)
Sylvia Fisher (Mar 12)
Rhydderch Davies (Mar 12)
David Tree (Mar 12)
Norah Cannell (Mar 12)
Vera Evans (Mar 12)
Elizabeth Goodall (Mar 12)
James Gibson (Feb 24; Mar 12)
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