Until this production was mounted, Patience was widely considered to be the most dated and beyond rescue element of the Gilbert and Sullivan repertoire. At a stroke, John Cox and John Stoddart transformed the reputation of the work. With a great deal of assistance from Derek Hammond-Stroud and Heather Begg as Bunthorne and a double bass playing Lady Jane, the work came back with complete freshness.
Sadler's Wells Opera in Scotland - 1969
The 1969 tour was the last occasion on which Sadler's Wells visited Aberdeen. There was a single week in Edinburgh (King's Theatre), followed by one in Aberdeen (His Majesty's) and three in Glasgow (King's). Eight operas were brought, four being seen in all three cities and a further four just in Glasgow.
The operas were: Mozart (Magic Flute); Rossini (Count Ory); Verdi (Force of Destiny); Offenbach (Bluebeard); Sullivan (Patience); Puccini (Madam Butterfly); Strauss (Ariadne on Naxos) and Stravinsky (Rake's Progress).
The tour schedule was as follows:
Edinburgh, w/c 13 October: Mon 13 Magic Flute; Tue 14 Rake's Progress; Wed 15 Bluebeard; Thu 16 Magic Flute; Fri 17 Force of Destiny; Sat 18 Bluebeard.
Aberdeen, w/c 20 October: Mon 20 Magic Flute; Tue 21 Rake's Progress; Wed 22 Bluebeard; Thu 23 Magic Flute; Fri 24 Force of Destiny; Sat 25 Bluebeard.
Glasgow, w/c 27 October: Mon 27 np; Tue 28 Magic Flute; Wed 29 Count Ory; Thu 30 Bluebeard; Fri 31 Rake's Progress; Sat 1 Nov Bluebeard.
Glasgow, w/c 3 November: Mon 3 Count Ory; Tue 4 Bluebeard; Wed 5 Force of Destiny; Thu 6 Rake's Progress; Fri 7 Magic Flute; Sat 8 Force of Destiny.
Glasgow, w/c 10 November: Mon 10 Patience; Tue 11 Ariadne on Naxos; Wed 12 Madam Butterfly; Thu 13 Ariadne on Naxos; Fri 14 Patience; Sat 15 Madam Butterfly.
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