Given its great popularity, it seems strange that so few performances of Bohème were given on this tour. But given the practice that few pieces could be given twice in a venue that was unavoidable - indeed there was no performance at all during the Aberdeen week. Perhaps even stranger was the fact that all three performances were matinees - midweek in Glasgow, and Saturday in Aberdeen and Dundee.The linchpin of these afternoons was the young conductor, John Barbirolli, already an expert Puccinian.
The Edinburgh View
The Scotsman of Monday, 17 October (p8) was enthusiastic about the previous Saturday matinee performance of La Bohème:
'With La Bohème in the afternoon and Samson and Delilah at night, the British National Opera management made a strong bid for public support on Saturday. The response in the afternoon was rather disappointing, largely, no doubt, owing to the competition of other attractions. At night, however, there was a large audience.
'The performance of La bohème, which was conducted by Mr John Barbirolli, presented some points of novelty, both the Rudolph of Mr Heddle Nash and the Mimì of Miss Isabel Rhys-Parker, being, if memory serves aright, new to an Edinburgh audience. In each case there was the success to be expected from artists who have already proved themselves to be full of intelligence and charm. Mr Nash suggested the young poet admirably, while Miss Rhys-Parker did not overdo the pathos of Mimì. Rudolph's friends had excellent representatives in Mr Percy Heming as Marcel, Mr Philip Bertram as Colline and Mr Herbert Langley as Schaunard. Miss Kathlyn Hilliard was an excellent Musetta and Mr Sydney Russell filled his customary dual rôle as the Landlord and as Alcindoro.
'La Bohème is extremely grateful music for singers, and it is also a good acting opera. It is consequently a work which invites a good performance. Saturday's remdering of the opera was deserving of high praise. Everything went with an enjoyable smoothness, and the balance between voices and orchestra was very satisfactory.'
The cast for Edinburgh on Saturday 15 October is as reviewed in Monday's Scotsman. The Dundee cast is as given in the Dundee Evening Telegraph & Post and Dundee Courier & Advertiser. These reviews are very brief, and included in the notices for the evening Aïda.
BNOC in Scotland - 1927
The 1927 Scottish tour included six weeks, two each in Glasgow (Theatre Royal) and Edinburgh (King's), and a further week each in Aberdeen (His Majesty's) and Dundee (King's) - the first time that BNOC went north of the central belt.
Fifteen operas were performed:
Mozart (Marriage of Figaro, Magic Flute); Rossini (Barber of Seville); Wagner (Tannhäuser, Mastersingers, Valkyrie, Twilight of the Gods); Verdi (Aïda); Bizet (Carmen); Saint-Saëns (Samson and Delilah); Massenet (Manon); Leoncavallo (Pagliacci); Puccini (Bohème, Madam Butterfly, Gianni Schicchi).
The schedule was as follows:
Glasgow, w/c 26 September: Mon 26 Barber of Seville; Tue 27 Magic Flute; Wed 28 mat Bohème; Wed 28 eve Gianni Schicchi & Pagliacci: Thu 29 Valkyrie; Fri 30 Marriage of Figaro Sat 01 mat Madam Butterfly; Sat 01 eve Aïda.
Glasgow, w/c 03 October: Mon 03 Carmen; Tue 04 Manon; Wed 05 mat Marriage of Figaro; Wed 05 eve Barber of Seville; Thu 06 Mastersingers; Fri 07 Samson and Delilah; Sat 08 mat Magic Flute; Sat 08 eve Tannhäuser.
Edinburgh, w/c 10 October: Mon 10 Barber of Seville; Tue 11 Mastersingers; Wed 12 mat Gianni Schicchi & Pagliacci; Wed 12 eve Magic Flute; Thu 13 Manon; Fri 14 Marriage of Figaro; Sat 15 mat Bohème; Sat 15 eve Samson and Delilah.
Edinburgh, w/c 17 October: Mon 17 Barber of Seville; Tue 18 Twilight of the Gods; Wed 19 mat Madam Butterfly; Wed 19 eve Tannhäuser; Thu 20 Carmen; Fri 21 Manon; Sat 22 mat Magic Flute; Sat 22 eve Aïda.
Aberdeen, w/c 24 October: Mon 24 Barber of Seville; Tue 25 Twilight of the Gods; Wed 26 mat Magic Flute; Wed 26 eve Manon; Thu 27 Mastersingers; Fri 28 Marriage of Figaro; Sat 29 mat Madam Butterfly; Sat 29 eve Aïda.
Dundee, w/c 31 October: Mon 31 Mastersingers; Tue 01 Nov Barber of Seville; Wed 02 mat Marriage of Figaro; Wed 02 eve Madam Butterfly; Thu 03 Manon; Fri 04 Valkyrie; Sat 05 mat Bohème; Sat 05 eve Aïda.
Heddle Nash (Oct 15 m)
Tudor Davies (Nov 5 m)
Percy Heming (Oct 15 m; Nov 5 m)
Philip Bertram (Oct 15 m; Nov 5 m)
Herbert Langley (Oct 15 m; Nov 5 m)
Sydney Russell (Oct 15 m)
Isabel Rhys Parker (Oct 15 m)
Noël Eadie (Nov 5 m)
Kathlyn Hilliard (Oct 15 m)
Doris Lemon (Nov 5 m)
Sydney Russell (Oct 15 m)
John Barbirolli (Oct 15 m; Nov 5 m)
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