Born Galashiels, 20 September 1938.
Scottish tenor.
John Robertson enjoyed a career unique in the history of Scottish Opera, and very unusual for any opera company.
After graduating from Edinburgh University, Robertson was a member of the chorus for the company's opening production of Madama Butterfly in 1962, and the following season was a founder member of the Scottish Opera Chorus, when Otello was first staged. In 1964 he started to sing solo roles with the company, his first being Roderigo in the Otello revival.
Early career
Musical interest was first sparked in the chapel choir and school orchestra at Sedbergh in Yorkshire. His subject at university from 1957 was Mathematics, but he also studied singing with John Tainsh and Marie Thomson, and joined the University Opera Club, conducted by a fellow-student, Roderick Brydon. He sang four principal roles with Edinburgh Grand Opera - Faust, Hoffmann, Don José and Ishmael. His appearances with Glasgow Grand were as Macduff, Nadir, Ernani and Arnold. With the Edinburgh group, he was a member of the chorus that boosted the numbers for the final scene of Fidelio on the 1959 Sadler's Wells tour, conducted by Colin Davis in Glasgow, Edinburgh and Dundee. For three seasons from 1966 he toured the country singing with the Scottish group of Opera for All, in a series of roles including Almaviva, Ramiro, Ferrando, Ottavio, Ernesto, Goro and Pinkerton.
Scottish Opera
During his years as a principal with the main company, he performed a wide range of leading repertoire. These parts included Mozart (Basilio, Ottavio, Ferrando, Monostatos and Tamino); Rossini (Almaviva); Donizetti (Ernesto); Strauss (Valzacchi, Dancing Master); Janáček (Tikhon, Vitek); Britten (Male Chorus, Albert, Quint) and Hamilton (Cicero). He also had memorable success in a number of shorter roles such as Hylas and Iopas in The Trojans, the Simpleton in Boris Godunov. Goro, and the Emperor in Turandot.
Latter years
His last solo appearance, in 2006, came in the closing concert of the Edinburgh Festival, when he took on a further new role as Moser in Die Meistersinger, appearing with other veterans including John Shirley-Quirk, John Mitchinson and Richard Van Allan. In later years he continued to work regularly as a member of the chorus, making his most recent appearances in the 2013 production of The Flying Dutchman and the 2014 concert presentation of Turandot - an astonishing record of over half a century of service with the company.
John Robertson taught extensively both at the RNCM in Manchester and the RSAMD in Glasgow. His long-term commitments with Scottish Opera left little opportunity to work elsewhere, but he did sing Almaviva as a guest with Phoenix Opera in 1971. He was also able to fit in some concert engagements with various choral societies.
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