Born Perth, 12 December 1948.
Scottish baritone.
Donald Maxwell's long international career is one of the most notable to have been enjoyed by a Scottish singer. He has also been very versatile, with several years performing the leading dramatic baritone roles. Subsequently he has sung at the same major houses in a range of comic and character parts.
His initial studies at Edinburgh University were in Geography, and he taught the subject 1971-76 while singing with several Scottish amateur groups. He studied singing privately with the famous Scottish tenor Joseph Hislop. In 1976 he joined Scottish Opera, making his debut as Morton in Mary, Queen of Scots. Over the next few seasons, he sang a host of short but significant roles including Paolo Albiani, Monterone, Masetto, Angelotti and Ned Keene. He later added Rossini's Figaro as well as Sharpless, Enrico Ashton and Zurga. In more recent years he has returned for performances of major roles, especially in operas by Janáček. He was also able to fit in short visits to Haddo, to sing Escamillo and Gremin.
In 1982 he made his debut with Welsh National, as Anckarström. and later sang Rigoletto, Jack Rance, Marcello, Don Alfonso and Count Almaviva. Two famous roles were Iago and Falstaff in Peter Stein's prestigious stagings of Verdi's last two operas. These were toured to La Scala Milan and New York, and the Falstaff production came to Edinburgh. A further collaboration with Stein was as Golaud in a production of Pelléas conducted by Pierre Boulez.
With ENO, from 1983, his varied repertoire included Yeletsky, Baron Prus, Figaro, Eisenstein and Wozzeck, as well as Peter in Hansel and Gretel and Leander in The Love for Three Oranges. His Covent Garden debut in 1987, as the English Archer in The King Goes Forth to France (Sallinen), was followed by performances as Donner and Gunther. International appearances include Buenos Aires, Tokyo, Paris and the New York Met.
He has enjoyed a close relationship over many years with the Buxton Festival, starting with the Ghost and Gravedigger in Hamlet (1980), and was for several seasons the festival director. He also became a well-known teacher, spending some time as principal of the National Opera Studio. His career as a character singer has included parts such as Hortensius in La Fille du Régiment at both Covent Garden and the Met, as well as Pooh-Bah in many performances of The Mikado at ENO. With Welsh National, recent performances have included Mirko Zeta in The Merry Widow and Somarone in Béatrice et Bénédict.
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