John Cox's production was the first company staging of Don Giovanni for many years to achieve the honour of a revival. In most respects, as should happen, but rarely does, this run was as good as the first one. Richard Armstrong has never been known as a Mozart conductor, but if one opera should suit his sense of drama this would be it, and so it proved. A new Danish baritone was as good as his Swedish predecessor in the title role. All three women, from Canada, Italy and Sweden, were notably well matched. Jonas Degerfeldt made an impression in an unusual reading of Ottavio - bookish and bespectacled, and very well sung. Panajotis Iconomou made a lugubrious beanpole of a Masetto. Neal Davies (the only Brit in the entire cast) was a characterful Leporello, and Alessandro Guerzoni was a notable acquisition as a dark-voiced Commendatore..
Richard Armstrong (Exc Apr 2, 10, 12)
Derek Clark (Apr 7, 10, 12)
Theatre Royal, Glasgow | Glasgow
28 Mar, 19.15 31 Mar, 14.15 24 Apr, 19.15 28 Apr, 19.15
Festival Theatre, Edinburgh | Edinburgh
3 Apr, 19.15 5 Apr, 19.15 7 Apr, 19.15
His Majesty's Theatre, Aberdeen | Aberdeen
10 Apr, 19.15 12 Apr, 19.15
Eden Court Theatre | Inverness
20 Apr, 19.15
© Copyright Opera Scotland 2024
Site by SiteBuddha