To open the Edinburgh Festival with a concert performance of Berlioz's epic Les Troyens was, it would seem, an excellent idea. However, as with most performances of the last Scottish Opera staging, the opera was split, with The Fall of Troy on the opening night, and The Trojans at Carthage following later. Even worse, the gap between the two sections was almost a week, starting on Sunday August 12 (at 20.00), and concluding on Saturday August 18 (at 19.00). There were both technical and financial reasons for the gap, most of all the simple fact that the Orchestra was learning the music from scratch - though the quality of performance disguised that fact. But a fall in tension between the two parts seemed unavoidable..
What was not in doubt was the quality of the individual performances, dominated by the incandescent portrayals by Petra Lang and Lorraine Hunt Lieberson. Donald Runnicles was still relatively unfamiliar in his home country and not known to the orchestra - this event could hardly have been more ambitious. They and the Edinburgh Festival Chorus had a glorious time.
This Festival had a wonderful range of operas in concert performances that year - Les Troyens was followed by Idomeneo, Cosï fan tutte, Armida (Rossini), Zoroastre (Rameau), Three Sisters (Eötvös), and Messiaen's St Francis of Assisi - truly astonishing.
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