Until recently, Suor Angelica was written off as a work of 'revolting sentimentality', as Lady Bracknell might have put it. Frequently the first piece, Il tabarro, a stirring melodrama, and the last, Gianni Schicchi, an uproarious comedy, have been played together. Nowadays, however, Angelica is recognised to have qualities that increase the integrity of the entire evening.
Here, sadly, the Glasgow Herald review is brief, mentioning only the singer of the title role.
Sadler's Wells Opera on tour in Scotland - 1957
The four week tour of Scotland for once omitted Edinburgh, going to Aberdeen and Dundee instead. Having been without professional opera since before the war, Dundee had received hugely successful visits by Carl Rosa in 1955 and 1956, so it was logical for the Wells to follow on, as they did annually with equal success until the theatre again became unavailable in 1961. The repertoire in each city was similar but for Dundee not hearing Il trovatore (an extra Bohème instead) and Glasgow also getting Eugene Onegin and Puccini's Trittico.
The works performed were: Mozart (Marriage of Figaro); Flotow (Martha); Verdi (Trovatore, Traviata); Smetana (Bartered Bride); Tchaikovsky (Eugene Onegin); Puccini (Bohème, Tosca, Tabarro, Suor Angelica, Gianni Schicchi).
The tour schedule was as follows:
Aberdeen, w/c 1 April: Mon 1 Traviata; Tue 2 Tosca; Wed 3 Martha; Thu 4 Trovatore; Fri 5 Marriage of Figaro; Sat 6 mat Bartered Bride; Sat 6 eve Bohème.
Dundee, w/c 8 April: Mon 8 Traviata; Tue 9 Bohème; Wed 10 Marriage of Figaro; Thu 11 Martha; Fri 12 Tosca; Sat 13 mat Bohème; Sat 3 eve Bartered Bride.
Glasgow, w/c 15 April: Mon 15 Trovatore; Tue 16 Bohème; Wed 17 Tosca; Thu 18 Trovatore; Fri 19 Martha; Sat 20 Mat Bartered Bride; Sat 20 eve Tosca.
Glasgow, w/c 22 April: Mon 22 Marriage of Figaro; Tue 23 Martha; Wed 24 Tabarro & Suor Angelica & Gianni Schicchi; Thu 25 Marriage of Figaro; Fri 26 Eugene Onegin; Sat 27 mat Traviata.; Sat 27 eve Bartered Bride.
Elizabeth Fretwell (Apr 24)
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