At this stage, concert performances of operas in the Usher Hall were far less frequent than they were to become in future years. This evening was important for a number of reasons, the first being that it was the Scottish premiere of Verdi's first completed opera. Maria Guleghina and Jane Henschel both had extensive international careers, but this was the only occasion on which either sang in Scotland. Alastair Miles was a familiar figure on the concert platform, but only rarely appeared here in opera. Much of Dennis O'Neill's early career was spent with Scottish Opera, where his Verdi roles included Fenton, Alfredo and Duke of Mantua. However, apart from a production of Werther and a single performance as Manrico he had not been back for some time. Fiona Kimm was a frequent guest with Scottish Opera and also visited with English Touring Opera. David Robertson's appearances were all in the concert hall. They did include performances of a number of distinctly obscure operas - though the 2006 Meistersinger with Jonas Kaufmann was hardly one of those.
Opera at the 1993 Festival
The 1993 Festival saw an interesting concentration on Verdi operas, getting under way with Scottish Opera's first attempt at an early, pre-Macbeth, work in I due Foscari. The company's new musical director, Richard Armstrong, also returned at the end of the Festival with his former company, Welsh National, and their superb production of the final masterpiece, Falstaff. Between these, the Festival gave a concert performance, very well cast, of the first surviving opera, Oberto.
A second theme at this Festival was an attempt to juxtapose the works of two masters, Schubert and Janáček. Opera was, inevitably, a difficult area in which to achieve this. But a fascinating concert evening was compiled in the Usher Hall, combining Schubert's unstageable (no surviving dialogue) Die Freunde von Salamanka with Janáček's first opera, Šárka.
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