Kent Opera was a small company which, for a decade or so, produced a superb range of imaginative stagings, sometimes of quite unusual repertoire, which was toured round southeast England. The productions were generally similar in scale to English Touring Opera, which nowadays fulfils the same role that Kent used to do. Quite what prompted this revelatory two day visit to Stirling is now a mystery, but we must be glad that they came.
Sir Roger Norrington has since gone on to investigate original performance practice in the works of Bruckner and similar large-scale Romantics, but in the seventies he developed work as a baroque specialist. He conducted all three full-length Monteverdi works in Kent, using a small band of period style instruments, and the sound world was completely different from the treatment by Raymond Leppard which was, until then, more familiar.
Miller's staging was immaculate. Culshaw's simple set consisted of three pillars which rotated to provide different backdrops - the visual influences were in the artistic style of Claude or Poussin, and the singers wore appropriate draperies which permitted them all to perform the simple dances required.
The whole effect was entrancing, and completely different from the comparatively unsubtle version brought to Edinburgh by the Zürich Opera a few months later.
© Copyright Opera Scotland 2024
Site by SiteBuddha