A red-blooded revival allowing Roderick Brydon to conduct one of Britten’s large-scale operas. Catherine Wilson also added to her Britten repertoire, and the title role was given an uncompromising performance by the Siegfried from the company’s recent Ring production. In Ian Watt-Smith's meticulous revival the townsfolk were all carefully differentiated, from Norman'White's skeletal and rather nasty Hobson, taking particular glee in his drumming, to Johanna Peters as a domineering yet curiously vulnerable Mrs Sedley.
The spring season included new stagings of Tristan und Isolde and The Coronation of Poppea, as well as further performances of Turn of the Screw, Don Pasquale and Figaro.
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