This seems likely to be the first performance in Scotland of a little known but highly attractive piece. Its neglect is most likely to have been due to a reluctance on the authorities to countenance the representation of biblical subject matter in performance. The operas Samson et Dalila (Saint-Saëns) and Salome (Strauss) had both encountered similar issues. Even so, it had been performed with success in Manchester as early as 1880.
The tenor soloist was a late substitute for Henry T Brearley, who was ill. The Scotsman's review does not specify whether the substitute tenor Thorpe Davie was a professional singer or an amateur chorister stepping up. The composer Cedric Thorpe Davie may have been a descendant.
Nowadays this work usually forms a complete evening's entertainment. In 1906, however, Massenet's Narcissus was also included, along with a section from Coleridge-Taylor's Song of Hiawatha. The enormously popular Hiawatha's Wedding Feast also has a tenor solo, taken at short notice by Mr J F S Adams, summoned by telegram from Paisley.
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