Jonathan Miller had not directed an opera in Scotland before, so his Magic Flute was eagerly awaited. It turned out to be a fascinating, if unusually austere interpretation, set firmly in eighteenth century Vienna, the main set representing massive library shelves, appropriate for the Enlightenment. Musically it was on the whole excellent, though the Tamino, a relatively late replacement, was not ideally lyrical. The main drawback was that the chorus was placed permanently on those shelves, too far back and high up, so for the important massed choruses they were sometimes barely audible.
Immediately after the Glasgow run, the production was taken to London, where the company paid a brief visit to the Dominion Theatre. Further performances were then given during the September tour.
London dates to be added.
Benjamin Luxon (Exc Sep)
Alan Oke (Sep)
Francis Egerton (Exc Sep)
Jim Croom (Sep)
Margaret Marshall (Exc Sep)
Laureen Livingstone (Sep)
Rosanne Brackenridge (Exc Sep)
Yvonne Barclay (Sep)
Llyndall Trotman (Exc Sep)
Lesley Boyd (Sep)
Roderick Kennedy (Exc Sep)
Brian Bannatyne-Scott (Sep)
Don Garrard (Exc Sep)
Louis Lebherz (Sep)
Jim Croom (Exc Sep)
Barry Clark (Sep)
Brian Bannatyne-Scott (Exc Sep)
Richard Perrett (Sep)
Mark Curtis (Exc Sep)
Alexander Morrison (Sep)
Alexander Gibson (Exc Sep 6, 15)
Ian Robertson (Sep 6, 15)
Theatre Royal, Glasgow | Glasgow
12 Jan, 19.15 15 Jan, 19.15 18 Jan, 19.15 20 Jan, 19.15 22 Jan, 14.15 6 Sep, 19.15 9 Sep, 19.15
Theatre Royal, Newcastle | Newcastle-upon-Tyne
13 Sep, 19.15 15 Sep, 19.15
Grand Opera House, Belfast | Belfast
22 Sep, 19.15 24 Sep, 19.15
Empire Theatre, Liverpool | Liverpool
27 Sep, 19.15 29 Sep, 19.15
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